Caribbean InTransit proudly presents our second annual festival in Trinidad & Tobago “Arts InTransit 2014″. This year’s conference “Global Threads” is in partnership with the Department of Creative & Festival Arts.
Caribbean InTransit is producing and partnering with significant and high impact entities in creating access to a chain of arts festivals. Register for our festival here. Caribbean InTransit is an arts for social transformation non-profit registered in Virginia and Trinidad & Tobago. We curate cultural experiences and opportunities for our members, develop […]
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Caribbean InTransit launches its inaugural annual arts festival in October 2013 in Trinidad & Tobago. The Arts festival features a symposium component in collaboration with the Postgraduate Program in Cultural Studies at the University of the West Indies. Call for Proposals: Questions of embodiment have surfaced as a focus of attention […]
Harriott’s dance review “Fearless Softness: A Possibility for Dancing, Witnessing, and Being with Others,” ”explores the connection between body, mind, and social existence” according to Guest Editor, Toby Jenkins
Caribbean InTransit presents its third issue on Arts for Social Change. Guest Editor, Toby Jenkins has selected essays, poetry, visual essays, creative non-fiction, interviews and reviews for the issue. Cover image by Laura Anderson Barbata
Caribbean InTransit is now housed within African and African American Studies at George Mason University
Symposium on June 28th 2012, 11:30am – 7:00pm. Smithsonian Center for Folklife & Cultural Heritage, Washington DC Join us via Video Conference: RSVP & registration required: email email@example.com. Join us with questions via Facebook & Twitter
Port-au-Prince’s second Ghetto Biennale in 2011 hosts a neighbourhood screening of ‘Planet Earth’, translated into Kreyol by Arcade Fire. Photo by Jason Metcalf
“How about completely abolishing the model of the biennial, so as to reopen the possibility of perceiving and bringing into focus the small, the overlooked, the locally produced, and the unclassifiable?” (Wullfen 106) . David Frohanpfel interrogates the Haiti Ghetto Biennial.