IDB Creatives of the Caribbean Arts Festival

IDB Creatives of the Caribbean Festival: Register here

  Caribbean InTransit is producing and partnering with significant and high impact entities in creating access to a chain of arts festivals. Register for our festival here.     Caribbean InTransit is an arts for social transformation non-profit registered in Virginia and Trinidad & Tobago. We curate cultural experiences and opportunities for our members, develop […]

Membership

Membership

JOIN US ! Individual, Institutional, Corporate Membership. Contact us at marielle@caribbeanintransit.com or hadiza@caribbeanintransit.com

Caribbean InTransit launches its inaugural annual arts festival in October 2013 in Trinidad & Tobago. The Arts festival features a symposium component in collaboration with the Postgraduate Program in Cultural Studies at the University of the West Indies.

Caribbean InTransit: The Meeting Place

Caribbean InTransit launches its inaugural annual arts festival in October 2013 in Trinidad & Tobago. The Arts festival features a symposium component in collaboration with the Postgraduate Program in Cultural Studies at the University of the West Indies.          Call for Proposals: Questions of embodiment have surfaced as a focus of attention […]

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Issue 3 features Jamaican dancer Safi Harriott

Harriott’s dance review  “Fearless Softness: A Possibility for Dancing, Witnessing, and Being with Others,”  ”explores the connection between body, mind, and social existence” according to  Guest Editor, Toby Jenkins  

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Caribbean InTransit Issue 3 Arts for Social Change

Caribbean InTransit presents its third issue on Arts for Social Change. Guest Editor, Toby Jenkins has selected essays, poetry, visual essays, creative non-fiction, interviews and reviews for the issue. Cover image by Laura Anderson Barbata

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African and African American Studies, GMU

Caribbean InTransit is now housed within African and African American Studies at George Mason University

Symposium on June 28th 2012, 11:30am - 7:00pm. Smithsonian Center for Folklife & Ciltural Heritage, Washington DC Join us via Video Conference: RSVP & registration required. Join us with question via Facebook & Twitter

Biennials & Art Practices in the Caribbean

Symposium on June 28th 2012, 11:30am – 7:00pm. Smithsonian Center for Folklife & Cultural Heritage, Washington DC Join us via Video Conference: RSVP & registration required: email caribintransit@gmail.com. Join us with questions via Facebook & Twitter

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Volume 1. Issue 2. March 2012

Port-au-Prince’s second Ghetto Biennale in 2011 hosts a neighbourhood screening of ‘Planet Earth’, translated into Kreyol by Arcade Fire.  Photo by Jason Metcalf

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Alex Louis films from the roof of the Ghetto Biennale Tap Tap in Port-au-Prince

“How about completely abolishing the model of the biennial, so as to reopen the possibility of perceiving and bringing into focus the small, the overlooked, the locally produced, and the unclassifiable?” (Wullfen 106) . David Frohanpfel interrogates the Haiti Ghetto Biennial.

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“My Dear Daddy”

As a balm for loss and in retrieving a sense of self, artist Olivia McGilchrist performs constructed memories of her long last daddy. Cette image a donc été modelée par les bribes de mes souvenirs, les récits de ma mère et le fruit de mon imagination car j’étais avide de créer une icône paternelle pour […]

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