By: Tauseen Seyed & Moaad Bkr Disclaimer: This is not a formal art critique from an art historical perspective but rather contextualizes artistic practices within notions of democracy. For example, we are interested in how publics represent themselves and vie for visibility within public space, public art versus art for the public and symbolic violence.
Issue 4 Call for Papers – “CUTTING EDGES: NEW MEDIA & CREATIVE ENTREPRENEURSHIP” Throughout the Caribbean region and its multiple Diasporas, artistic form and practice are at risk. Since the beginning of a global economic crisis in 2008, the arts have been particularly impacted through severe losses of funding and institutional support. These ongoing global […]